Review: Dougherty's 'Godzilla: King of the Monsters' Vies for Supremacy In the aftermath of World War II, Japan's Toho Co., Ltd. assembled a team of filmmakers – co-writer and director Ishirō Honda, producer Tomoyuki Tanaka, co-writer Takeo Murata, and special effects director Eiji Tsuburaya – to create a new kind of movie monster. Originally conceived as a walking metaphor for nuclear annihilation, Godzilla roared onto screens in Honda's genre-defining 1954 masterpiece, Gojira. The film captured the imagination – and embodied the fears – of an entire nation.

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