fb.indiewire.com Where did the American Independent cinema of the '70s go, exactly? Did it fizzle and die, or did George Lucas scare it away with his mammoth sci-fi extravaganza? No one knows for sure, but there's something suspicious about the films of Chilean director Pablo Larrain. "Tony Manero," his debut feature, looked and felt like one of those movies, with a more brutal story.

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