theguardian.com Sara Driver’s documentary about the artist’s early years draws a vivid picture of 70s New York but fails to get under its subject’s skinThe most powerful moments of this documentary about the early years of artist Jean-Michel Basquiat come just before the closing credits. We see, unadorned and in simple succession, half a dozen or so of his pictures, and finally get a sense of why we are here and what the fuss is about.

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